Category: Historical Fiction

‘Sitting on a sofa, playing games of chance…’

My latest novel, Game of Chance – the second in a series of detective stories set in the late 1920s – centres, as the title suggests, around a game of cards, specifically, Solo Whist. I chose this particular game, rather than Bridge (which was actually more popular in the period I’ve been writing about) for Read More

Dial ‘M’ for Murder – the telephone in twentieth century fiction

Having just published a novel – Line of Sight (Arbuthnot Books, 2014) – in which the telephone plays a key role, I’ve been thinking about the significance of this particular piece of technology, invented (or at least patented) in 1876, by Alexander Graham Bell, but only in common domestic use for around a hundred years. Read More

Living in the past – the joys of historical research

I’ve been living in the past a lot lately. In 1927, to be precise – which is when the novel I’m currently writing is set. Every day, I get on the Jubilee Line and travel back in time, to an era when there were no computers, no mobile phones, no televisions and not very many Read More

Inventing real people

Writing about real people or events in a work of fiction might seem to have obvious advantages. Instead of starting with a blank canvas, where your character is concerned, you have access to previously existing ‘sketches’. These can include actual images – whether photographs, drawings or paintings – as well as verbal descriptions by those Read More

Where Do You Get Your Ideas?

‘Where do you get your ideas?’ is a question most writers get asked – and not a few find hard to answer. One feels almost superstitious about it – as if, by delving too deeply into the mysterious process by which stories are made – or found – one might lose the trick of it. Read More

Writing Historical Fiction

‘I don’t like historical fiction,’ a friend said recently and, until a few years ago, I might well have agreed with him. I mean – what’s the point of setting your story in the past, when there’s so much about the present that’s worth describing? Of having to go to all the trouble of recreating Read More

Literary models for The Dark Tower

Writing The Dark Tower necessitated a good deal of historical research – not all of which was factual. Novels, such as The American by Henry James, The Duke’s Children by Anthony Trollope, A Pair of Blue Eyes and The Return of the Native by Thomas Hardy, The Egoist by Meredith – all of which were Read More

The quest for Isandhlwana

If the starting-point for The Dark Tower was a few handwritten pages in a long-dead woman’s diary for 1879, the process of writing the novel brought in many other elements. There was the fact that the story was set at a particular time in history; that it was set in a country I had not at that time visited; and that it was about war. All these facts, I knew, would involve me in a good deal of research, both of the kind that involves sitting in libraries, and the kind that’s about going to see for oneself. It wasn’t the first time I’d done such research – a previous novel Fabulous Time, part of which is set in Shanghai in 1911, had necessitated a visit to China – but it was the most sustained and ambitious work of its kind I’d so far attempted. Read More

Isandhlwana – The Dark Tower

Isandhlwana is a disturbing place. Even if one knows nothing of the grim events enacted here, a little over 130 years ago, it still leaves a powerful impression – with its barren outcrops of low hills, surrounding a grassy plain, seamed with dry river-beds, and with the squat, tower-like shape of the mountain, from which it takes its name, looming overhead. It is the landscape evoked, with eerie prescience, by Robert Browning, in his 1855 poem, ‘Childe Roland to the Dark Tower Came’, which supplied me with the title, and epigraph, for my novel, The Dark Tower. Read More